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张炎《词源》上卷从律生八十四调的框架中论述了燕乐二十八调、七宫十二调、中管调等多个宫调律学问题,其中燕乐二十八调的论题从南宋以后就成为历代学者关注的焦点,而此后文献中的七宫十二调与之前的燕乐二十八调之间是否存在关系,二者又有何渊源呢?文章从多个文献记载本体出发,对二者进行实质性的比较分析,诠释了燕乐调长久以来的历史发展进程,并探讨了研究流变过程中的具体状况,借以丰富我国传统宫调理论的研究。
Zhang Yan “Etymology” on the volume from the lawyer eighty-four transfer of the framework of the Yan Le twenty-eight transfer, seven house twelve transfer, transfer management and many other palace discipline law, of which Yan Le twenty-eight Since the Southern Song Dynasty, the theme of the tune has become the focus of scholars of all ages. However, what is the relationship between the seven sequins of the seventh house and the previous twenty-eight notes? This paper starts with a comparative analysis of the two ontological records and interprets the long history of the development of Yan Yue tune and explores the specific conditions in the study of the rheological process in order to enrich the study of the traditional theory of the palace transfer in our country.