论岳敏君绘画“戏仿”之思

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绘画中的戏仿自马赛尔--杜尚开始至今在文学,音乐,电影等文艺领域非常普遍.“戏仿”是当代社会最广泛的艺术手法之一,它不仅仅是一种单纯的创作手法,同时更是创作者对事物的深层次的思考和领悟.戏仿经典之作让幽默成为一种认真的戏谑,在戏谑中使人回归到人的原初自己.“戏仿”是在平等的立场上以“戏谑”权威的态度来实现对曾经的经典权威的解构与自我解放.
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