古彩,亦称“五彩”、“硬彩”,从明代“五彩”发展后到康熙又有突出的成就。明时称“大明五彩”,康熙时称“康熙五彩”、“硬彩”或“康熙硬五彩”。雍正时“软彩”突起,此后,称“硬彩”为“古彩”,称“软彩”为“粉彩”。明、清古彩的主要特点和区别有三个方面:一是色料,明代五彩的蓝色皆为釉下青花,烧后再在瓷面上加填它色。康熙时发明了釉上蓝色——古翠,可一次绘制烧成。但由于当时的古翠色料刚刚出现,有的还不成熟,因而康熙古彩上的古翠有的发乌发灰,甚至斑剥 Ancient painting, also known as “colorful”, “hard color”, from the “colorful” development in the Ming Dynasty to Kangxi have outstanding achievements. Ming said “Ming colorful”, when Kangxi said “Kangxi multicolored”, “hard color” or “Kangxi hard multicolored.” Yongzheng “soft color” Protrusion, then, said “hard color” as “ancient color”, “soft color” is “pastel.” Ming and Qing Dynasties the main features and distinctions in three areas: First, pigment, the Ming Dynasty multicolored blue are underglaze blue and white, after burning in the porcelain surface to add its color. Kangxi invented the glaze blue - Gu Cui, can be drawn once fired. However, due to the ancient Cuicai material was just emerging, and some not yet mature, so ancient Cui Kangxi on some pale gray hair, or even stripping