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作为一部开启中国体育电影的开山之作,1934年由孙瑜导演的《体育皇后》让中国观众感受到了中国体育电影呼之欲出的气势。新中国成立之后,中国体育电影的发展迎来了新的历史机遇,先后诞生了一大批颇具影响力的佳作,这当中就包括《女篮五号》《沙鸥》等。本文以1957年谢晋导演拍摄的《女篮五号》为考察对象,试图揭开笼罩在早期中国体育电影身上神秘的面纱。一、《女篮五号》独特的艺术视角作为一种代表了人类精神追求和体能表现的社会
As a pioneer in opening up sports films in China, “Sports Empress,” directed by Sun Yu in 1934, made Chinese audiences feel the momentum of Chinese sports movies. After the founding of New China, the development of sports films in China ushered in a new historic opportunity. A large number of influential masterpieces were successively produced, including “Women’s Basketball 5” and “Gull”. This article takes “Women’s Basketball 5” shot by Xie Jin in 1957 as the object of investigation, attempting to uncover the mysterious veil that enveloped the early Chinese sports movies. First, the unique artistic perspective of “Women’s Basketball 5” As a society that represents the pursuit of human spirit and physical performance