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《穿越星际》在2014年11月在国内的上映,形成了令人瞩目的文化现象,其视觉冲击后的丰富文化内涵值得人们深思。和很多太空史诗大片一样,克里斯托弗·诺兰(Christopher Nolan)导演的《星际穿越》(Interstellar)将人类对领土的焦虑和无尽的掠夺浓缩成了一个震撼人心的故事。本文从生态女性主义角度揭露了《穿越星际》中自然和女性所面临的困境以及困境的根源——父权制的控制,体现了克里斯托弗·诺兰对自然与女性的关注,他倡导人与自然,人与人之间和谐相处的关系。面临当今环境状况,对《穿越星际》的生态女性主义解读对人们的生态保护意识和对女性问题认识的深化有重要意义。
Throughout the interstellar show in China in November 2014, a spectacular cultural phenomenon has come into being. Its rich cultural connotation after the visual impact is worth pondering over. Like many space epics, Christopher Nolan’s Interstellar has condensed human anxiety and endless predatory territory into a thrilling story. From the point of ecofeminism, this article reveals the predicament that natural and women face in “Transnational Star” and the source of the dilemma - the control of patriarchy, which shows Christopher Nolan’s concern for nature and women. He advocates that man and nature, man Harmony between people and the relationship. Faced with the current state of the environment, the interpretation of ecofeminism through “Interstellar” is of great significance for people’s awareness of ecological protection and deepening their understanding of women’s issues.