线条作为最基本的绘画构成要素,在中西绘画中起着举足轻重的作用,是写形传神的主要手段。而在中国画中,线的作用被不断强化,以线描的形式发展着。中国画画家历来重视线,从理论到实践,“线”这个独立的艺术元素始终贯穿其中。唐代张彦远在《历代名画记》中提到:“无线者非画也。”潘天寿说:“盖吾国之绘画,一线为基础,故画法以一画为始。”不论是原始的彩陶纹饰,战国的墓室壁画,宋代高度写实的白描画还是清代的写意人物画,都是借线条来表现。线条不仅仅可以勾画物体的轮廓,表现其结构,更重要的是在 Lines as the most basic composition of painting elements, plays an important role in Chinese and Western painting is the main means of writing expressive. In Chinese painting, the role of the line is constantly strengthened, with the form of line drawing development. Chinese painters have always attached importance to the line, from theory to practice, “line ” this independent art element has always run through them. In the Tang Dynasty, Zhang Yanyuan mentioned in the “Famous Paintings of Various Dynasties”: “The wireless is not a painting.” Pan Tianshou said: “The painting of the Republic of China is based on the front line, so the painting starts with a painting.” " Is the original pottery decoration, the Warring States tomb murals, the highly realistic white portrayal of the Song Dynasty or the Qing Dynasty’s freehand portraits, are borrowed lines to show. Lines can not only outline the outline of the object, the performance of its structure, more importantly