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涵子:你知道《小说林》“名刊名编访谈”这个栏目吗?读过吗?石华鹏:知道。读过一些。因为是对编辑同行的访谈,尤其是名刊名编,还是很关注的,想看看别人是如何当编辑的,尤其是如何当成名编辑的。编辑是幕后人物,这个访谈让编辑站到前台来,亮亮相,意思是说编辑这一行当对文学的发展还是有些作用的,另外访谈编辑为观察文学提供了一个新的视角。这是一个有创意的栏目,而且连续办了好些年,《小说林》有眼界。涵子:介绍一下你的编辑经历和你工作的刊物。石华鹏:我本来不想接受这个访谈,因为咱心里很清楚,咱自己既不是名编,咱服务的刊物也不是名刊,如果也来这个栏目“凑热
Han: Do you know the ”novel forest“ ”name series interviews “ this section? Read? Shi Hua-peng: I know. Read some. Because it is an interview with editorial colleagues, especially the famous editor, is still very concerned about, to see how others are editors, especially as a famous editor. Editing is a behind-the-scenes figure. This interview brought the editing station to the foreground to appear brightly. This means that editorial work still has some effect on the development of literature. In addition, interview editors provide a new perspective for observing literature. This is a creative section, and for several years in a row, ”Novel Forest" visionary. Haniko: Tell me about your editorial experience and the publication of your work. Shi Hua-peng: I did not want to accept this interview, because we knew very well that we were neither names, nor did we serve publications, and if we came to this section,