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甲申岁末,我有缘与王春立先生就当前美术问题谈艺论道,甚感欣慰。现择其要,分述如下:曾辉:王老师,近20年来,美术界一直有人在报刊上发表这样的观点:中国画已经走到了“穷途末日”,“传统中国画正面临着走向死亡的必然命运”,“民族性,民族特色,会阻碍艺术的现代化”。您对这个问题怎么看?王春立:关于上述问题,从1986年直到今天,我在所发表的《从“穷途末日”谈起》、《到加山又造家做客》、《访韩追记》、《挺直民族脊梁——关于中国画现代化的思考》、《永远开放的中国美术——再论挺直民族脊梁》等学术论文和散文中,从不同
At the end of Jia Shen, I am very pleased with Mr. Wang Chunli and his talk about the current art issues. Zeng Hui: Teacher Wang, in the past 20 years, there have been some people in the art world who have expressed their opinion in the press that Chinese painting has come to a dead end, and that traditional Chinese paintings are facing the inevitable death Destiny, “” nationality, national characteristics, will hinder the modernization of the arts. “ What do you think of this issue? Wang Chunli: On the above issues, from 1986 till today, I have talked about the issues of ”from the last days of the poor“ to ”the making of guest houses in Ghanyama“ Straight Nationalities - Reflections on the Modernization of Chinese Painting ”,“ Chinese Art Forever Open - On the Backbone of an Upright Nationality ”and other academic papers and essays,