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一直以来,人们对于井伏鳟二《黑雨》的研究仅仅局限于主人公“重松”的《被爆日记》上面,由此很多人认为它是一篇如实记录昭和20年广岛被爆事件的原爆纪实文学。本文时刻关注文本复线展开的两个不同历史文化背景,对作品文本和历史文本进行双重考察。文章从原爆症患者“重松”和“矢须子”遭受众人误解和歧视的问题着手,联系战时战后日本当局一系列政治举措以及对于战争死伤者的后续处理情况,引发对其隐藏在背后的日本当局逃避战争责任,漠视历史问题的深刻思考。最终我们发现,《黑雨》不仅仅是一篇单纯的原爆纪实文学,更是一篇重现战争历史,借以批判日本政治现状的文学力作。
All along, people’s research on the “Rain of the Second Rain” has only been limited to the “Diary of Deconstruction” of the protagonist “Soon Song ”, and many think it is an original record of the blast in Hiroshima in the history of 20 literature. This article pays close attention to the two different historical and cultural backgrounds that the double line of text starts to expand, and carries out a double examination of the works’ texts and historical texts. The article begins with the questions of the patients suffering from the “original disease”, “Song Song” and “Ya Su Su Zi” being misunderstood and discriminated against by people. In connection with a series of political actions by the Japanese authorities during the wartime as well as the follow-up to the casualties of the war, Its hidden behind the Japanese authorities to escape the responsibility of war, ignoring the profound thinking of history. Ultimately, we found out that “Black Rain” is not only a purely sourceless documentary documentary, but a literary masterpiece that reproduces the history of the war and criticizes Japan’s political situation.