鄂尔多斯民族舞蹈,特别是蒙古族舞蹈,如何与时俱进,在新的时代适合新的观众和新的审美要求?这是一个较为复杂的问题,也是一个重大的课题。作为一个舞蹈工作者,我近来通过理论的学习和对以往创作实践的总结,尤其是感到这是一 Ordos ethnic dance, especially Mongolian dance, how to keep pace with the times, to adapt to a new audience and new aesthetic requirements in the new era? This is a more complex issue, but also a major issue. As a dancer, I recently learned through theory and a summary of past creative practice, especially since I felt it was a