政治家的自传往往仍然谎话连篇,小说家的自传写着写着恐怕难免杂糅幻想,在这一点上戏剧作家可谓既忠实于自己的技艺又不作伪饰,他们只是将过往经历小心编织,安排出起承转合与低谷高潮。一代剧作明星莫斯?哈特的传记《从布朗克斯到百老汇》算得上这方面的典范,这不是一本戏剧作家的成功史。在他的笔下,童年的贫穷,亲人的离去,尽管悲苦,却不是绝望,不停的挫折底下,愈勇的是戏剧之 Autobiographies of politicians are often still lies, the novelist’s autobiography is written in the words I am afraid inevitable hybrid illusions, at this point drama writers can be described as both faithful to their own skills without faking, they just carefully past experience weaving, arrange Coincidence and trough. It is not the success story of a playwright that a generation of actress Mosley Hart’s biographical “From Bronx to Broadway” is exemplary. In his pen, the childhood of poverty, relatives leave, despite the sad, but not despair, non-stop frustration, the more courageous drama