关于主题思想导演找主题与评论家或一般读者对主题的分析,应该是有所不同的。因为导演是要通过二度创作,和所有演、职员一起把文学剧本变成舞台行动。这就需要用最简练的句子,用尽可能形象化、动作化的语言把主题思想提炼出来,使导演自己和所有舞台行动的创作者能够闻之而动。我国著名戏剧家黄佐临曾说:“找主题是一个导演最基本最基本的基本功。”还说在他一生导演过的七十多出戏剧中,只有“难得的几次”是找得准确、得当的。斯坦尼斯拉夫斯基在《论最高任务》中也指出:“要进行多少次瞄准和射击之后,才能命中目标!”可见,导演找主题并不是轻而易举的。 About thematic thinking Directors looking for topics and commentators or general readers of the subject should be different. Because the director is through second creation, and all performances, staff literary script into a stage action. This requires the use of the most concise sentences, using as much visual and actionable language as possible, to refine the theme and to make the director himself and all the creators of the stage move aware of it. Huang Zuolin, a famous Chinese dramatist, once said: “Finding the theme is the most basic and basic skill of a director.” He also said that only the “rare few times” in his more than seventy plays directed by his life are accurate and appropriate of. Stanislavski also pointed out in his article “On Top Tasks”: “How many aiming and shooting are required before we can hit the target!” Therefore, it is not easy for a director to find a topic.