重新进入古典工笔花鸟画,或许能让只会物理地“看”自然、利用自然的我们开始反观所谓现代性。自然从来不是日常生活的装饰,它既处于日常生活之中,又悠然独立于之外。在我看来,古人常称之为“意境”或“神韵”的玄妙词,其实是绘者抽离了与花鸟二元对立的物理观察法,用心神之眼静观自然,呈现出一个花鸟相依的初创世界。 Re-enter the classical pen and flower paintings, perhaps allowing only physical “look ” nature, the use of natural we start the so-called modernity. Nature has never been the decoration of everyday life, it is both in daily life, and leisurely independent. In my opinion, what the ancients often call “mysterious mood” or “mysterious charm” is actually the artist who draws away from the physical observation method that is opposite to the bird and flower and bird and contemplates the nature with the mind and the eye A flower and bird dependent start-up world.