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包括1980年代朦胧诗潮和先锋小说在内的文学实验,以语言革命和形式实验为其先锋质素,开启了与20世纪以来现代文学传统不同的文学空间,推动了语言、形式、审美维度的回归。这种背叛与对抗的文学实验对读者的既有审美惯性造成了巨大的冲击,甚至导致了读者的缺席。这使文学社会学意义上的诸多传统命题再次提上了讨论的范畴。接受美学理论的意义并非仅仅局限于文本意义构成的学理分析,而是同时提示了如下问题:将文学视作一种纯粹的语言实践显然是乌托邦化的,重要的不是撇清文学与现实、文学与社会的关系,而是关注并考察文学之于现实与社会具有哪些可能性:文学应该为何以及如何可能?
The literary experiments, including the obscure poems of the 1980s and the pioneer novels, pioneered the literary space different from the modern literary tradition of the 20th century by adopting the language revolution and formal experiments as pioneer quality, and promoted the development of language, form and aesthetic dimension return. This kind of betrayal and confrontation literary experiment has had a tremendous impact on the reader’s existing aesthetic inertia and even led to the absence of the reader. This puts the many traditional propositions in the sense of literary sociology again to the category of discussion. The significance of accepting the theory of aesthetics is not confined to the theoretical analysis constituted by the meaning of the text, but at the same time it suggests the following questions: It is obviously utopian to regard literature as a purely language practice. The important thing is not to ignore literature and reality and literature But rather concern and investigate the possibilities of literature in reality and society: why and how literature should be?