“版画是什么?”似乎还没有人能够准确地给出定义,就像对于“艺术是什么”这个谜题一样。但是,给不给出这个定义,似乎也无足轻重;一代代的版画家们依然埋头前行,仿佛都心中有数,而并不在意那些词汇的游戏。与前者的苦思冥想相比,我更看重版画家的行为的意义。与此同时,我也相信,那些实践者们之所以笃行不惑,是心里早已明了版画创作实践的那些捣鼓和折腾,对于自己 “What is a print? ” It seems that no one can accurately define it, just as the “art is what” the same puzzle. However, it seems trivial to give no definition to this definition. For generations of printmakers, they still keep their heads in the forefront, as if they have their hearts in mind and do not mind the vocabulary games. Compared with the former meditations, I pay more attention to the meaning of the artist’s behavior. At the same time, I also believe that those practitioners who behave in no uncertain terms are those who have long understood the practice of printmaking to fiddle and toss about themselves