28岁的刘慧德生长于澳门,现在工作和居住在纽约。她基于陶瓷和版画的创作,诉求对“先验的无家可归”概念的重构。这一概念由格奥尔格·卢卡奇1920年代在《小说理论》中首次提出,用以描述西方社会中精神栖居地——即存在于宗教和神话中内在完整性——的丧失。而当代生活中无处为家的尖锐痛苦似乎被调和,变得模棱两可,在这个自命的后现代、晚期资本主义全球化时代如游魂般无可附着。以移民、种族离散和流亡形式对无家可归的发自肺 28-year-old Liu Huide grew up in Macau, now working and living in New York. Based on the creation of ceramics and printmaking, she calls for the reconstruction of the concept of “transcendental homelessness.” The concept was first proposed by Georg Lukacs in “Theories of Fiction” in the 1920s to depict the loss of moral dwelling in Western societies - the intrinsic integrity that exists in religion and mythology. The acute pain of nowhere in contemporary life seems to be reconciled and ambiguous. In this self-proclaimed post-modern era, the late-capitalist era of globalization was unattachable. Homelessness comes from the lungs in the form of immigrants, ethnic dispersal and exile