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毫无疑问,在二十世纪戏曲研究史上,孙楷第是应该重重写上一笔的。他虽然出生较晚,不能像王国维、吴梅等人那样开疆拓土,创建戏曲研究这门新的学科,开一代学术之新风。但他以个人辛勤的耕耘和丰硕的成果,推动了戏曲研究向更为深广的方向发展,为这门学科做出了重要贡献。以下结合孙楷第的生平经历及著作,对其在戏曲研究领域的成就、治学特点等进行初步的梳理和归纳。
There is no doubt that in the history of drama research in the 20th century, Sun Kai-tai should be heavily rewritten. Although he was born later, he could not open up new terrain like Wang Guowei and Wu Mei, creating a new discipline of opera study and opening up a new academic atmosphere. However, with his hard work and fruitful achievements, he has promoted the study of opera to a more profound direction and made an important contribution to this subject. The following combination Sun Kai’s life experiences and writings, its achievements in the field of opera research, the characteristics of scholarship and so on for a preliminary review and induction.