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和我一起画画的那个比我小许多的小姑娘经常用一种奇怪的眼神看我,就像我看她一样。她的脸上有着透明的粉底和银白色的眼线,冬天里穿着长长的白色棉布裙子,大声地和身边人讨论十九世纪欧洲美术流派中奈莫、塞尚的印象派,还有卡夫卡以及《哈姆雷特》里那些哲人和非哲人都爱讨论的深奥问题。我觉得他们是不可理喻的。人头攒动的美术教室里我是典型的好学生。裹着黑色和蓝色拼凑成的校服,在雪白的纸上很认真地涂上静物和人像,耐心地等待着老师的责备或是嘉许。我不轻易地说话,说什么呢。九点半,一打铃,我便背
The little girl who is drawing with me and who is much younger than me often looks at me with a strange look, just like I look at her. Her face has a transparent foundation and silver-white eyeliner. In the winter, she wears a long white cotton dress and talks loudly with the people around her. He discussed the impressionism of Nemo and Cezanne in the 19th century European art school, and Kafka. And the esoteric and non-philosophers in Hamlet love to discuss the deep issues. I think they are unreasonable. I am a typical good student in the crowded art classroom. Wrapped in black and blue, the school uniforms were painted with still life and portraits on the white paper, patiently waiting for the teacher’s reproach or recognition. I don’t talk lightly. What do you say? At half past nine, when I make a bell, I will