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佛教禅宗观照世界的独特方式对北宋后期诗人观察认识世界的审美眼光颇有启发。本文讨论了宋诗人在佛禅哲学背景下所产生的若干全新的诗学概念和艺术观念,如由“万法平等”观生发出“妙观逸想”,将“周遍含容”观表述为“如春在花”,以“如幻三昧”解释艺术幻觉,以“转物”思想强化拟人主义,由“六根互通”转化为“出位之思”,进而从“法眼”与“诗眼”相通的角度揭示了北宋后期诗学的重要特色。
The unique way Buddhist Buddhism looks at the world is quite inspiring to the poet’s observation of the world in the late Northern Song Dynasty. This paper discusses a number of brand-new poetic concepts and artistic ideas produced by Song poets in the context of Buddhism and Zen Buddhism. For example, the idea of “Miao Gu Yi and Yi Guan Yi Guan” In order to explain the illusion of art in the form of “Imagine Samadhi” and “imitate the samadhi,” to reinforce the anthropomorphism by the idea of “transferring things”, from “six intercommunication” to “thinking out of place” Eye "reveals the important characteristics of poetics in the late Northern Song Dynasty.