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“是艺术高峰”还是“艺术滑坡”?对老舍解放后创作的认识,大体上向来有三种意见:第一种认为,老舍几乎是现代作家中惟一的例外。像李润新就明确指出:“从总的趋势上看,老舍在建国后,一直忠诚于党的文艺事业,坚持为人民服务、为社会主义服务,热爱人民、热爱祖国、热爱社会主义是他创作的主旋律。从作品的思想高度和艺术价值来看,老舍的‘后期’比‘前期’不是‘大滑坡’,而是大提高,大进步。”因为它们像一面镜子一样,真实而生动地反映了建国十六七年的现实生活。即便是写那些政治运动的现实生活,也是他遵循一切从生活出发创作原
“Art Peak” or “Art Landslide”? Generally speaking, there are three opinions on the creation of Lao She after its liberation. The first one is that Lao She is the only exception to modern writers. As Li Runxin pointed out clearly: "From the general trend, Lao She has always been loyal to the party’s literature and art after its founding, insisting on serving the people, serving socialism, loving the people, loving the motherland and loving the socialism, From the ideological height of the work and artistic value, Lao She’s’ late ’than the’ early ’is not a big landslide, but the big increase, big progress.’ Because they are like a mirror, real and vivid Reflects the real life of 1667 years after the founding of the People’s Republic. Even writing the real life of those political movements, he also follows all from the original creation of life