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《料峭》乐目家族全部乐曲都是传统乐种中的器乐作品。因此,对其调的研究与类归,不能不首先强调与认识中国传统乐种中的宫调结构特质。“宫调”一词,一般它只包含着在十二律体系中调式、调高两个意义。而要研究中国传统乐种的“宫调”内涵,除调式、调高关系外,其表现乐曲调式、调高的物质基础——乐器在演奏时与调名、调高相应的指法或弦法,在研究其调的意义时,是绝对不可忽视的一个重要环节。因此,本文所探讨的乐种“宫调”,它实质上包含着调式、调高与指法、弦法双重意义。
“Saw” music family all the music is the traditional music in the instrumental works. Therefore, the study and classification of the tone can not but first emphasize and recognize the structural characteristics of the palace-transfer in Chinese traditional music. “Palace tone” in general, it only contains the style in the twelve laws, raised two meanings. In order to study the connotation of the “palace tone” of traditional Chinese musical genres, in addition to adjusting the style and raising the relationship, the performance of musical instruments is modulated and the material basis of the musical instrument raised - In the study of the significance of tone, it is absolutely not overlooked an important part. Therefore, this article discusses the musical “Palace tune”, which essentially contains the style, raised and fingering, string double meaning.