建筑与音乐同被看作艺术审美的对象,“建筑与音乐”作为一个引人注目的话题,其类比讨论由来已久,其中“建筑是凝固的音乐”这一比喻广为人知。然而对其产生的语境和思维背景,建筑界以往却少有深入分析。现经梳理可知,“凝固的音乐”本源深植于西方思维当中,反映的建筑观注重几何性、实体造型及立面比例划分。反观中国传统,讲求全方位观察建筑组群外部空间,看重人在其中的动态体验,显然与“凝固”之提法未尽贴合。由此,关注点落在中国传统文化下的建筑与音乐有别于西方之处,可以概 Architecture and music are regarded as objects of aesthetic art. Architecture and music, as a compelling topic, has long been the subject of analogy discussion. The analogy of “architecture is solid music” is widely known. However, the context of the context and thinking it generated, the architectural world in the past few in-depth analysis. Now we can see that “solidified music ” origin is deeply rooted in the Western thinking, reflecting the architectural concept of geometric, physical modeling and elevation of the division. Contrary to the Chinese tradition, stressing the omni-directional observation of the external space of the construction group and valuing the dynamic experience of the human in it is clearly not in conformity with the formulation of “solidification”. As a result, buildings and music that focus on traditional Chinese culture are distinct from the West,