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【主持人语】上次《雅集》栏目中,几位同仁从当代书法创作现象聊到了书法教育的问题,大家普遍觉得应该讨论和反思一下当下的书法专业教育。书法专业教育是一个常说常新的话题,但又总伴随着各种争议声。作为一种延续了几千年的文化现象,书法作为一个研究领域,其所承载的厚重的文化含量自然毋庸置疑,可是为什么书法专业教育却总是伴随着争议?这其中,有许多问题可以细化并深入讨论一下。这次邀请的几位嘉宾,都具有书法或者相关专业博士以上高等教育的学术背景,应该说既是参与者,也是反思者。各位可以就所触及的一些问题泛泛而谈,也可以就其中某个话题展开深入的讨论,但求有创见,不求格式一律。各位的经验,对于高等书法专业教育的发展一定大有裨益。
[Host language] Last “elegant set” column, several colleagues talked about contemporary calligraphy from the phenomenon of calligraphy education, we generally think it is time to discuss and reflect on the moment of calligraphy education. Calligraphy professional education is often a new topic, but always accompanied by a variety of controversy. As a cultural phenomenon that has lasted for thousands of years, calligraphy as a research field is undoubtedly of the heavy cultural content it carries. However, why the education of calligraphy is always accompanied by controversy? There are many problems that can be fine Discuss it in depth. The guests invited by this forum all have the academic background of higher education of calligraphy or related professional PhDs. They should be both participants and reflectors. You can talk broadly about some of the issues you touch on, and you can discuss it in depth on one of these topics, but seek innovative ideas without formatting. Your experience will be of great benefit to the development of higher education in calligraphy.