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日本有二玄社复制,中国有荣宝斋木版水印。这两家在对中国古代书画复制上,都是顶级工艺。然,二者工艺不同,擅长领域也不一样。二玄社对书法的复制登峰造极,荣宝斋木版水印对国画复制几可乱真。荣宝斋,驰名中外的老字号,迄今已有三百余年历史。荣宝斋木版水印,2006年入选国家级非物质文化遗产代表作。是传统书画复原技术和雕版套印技术的杰出代表,具有多方面的科学价值与文化价值。细研木板水印技术,正是通过勾、刻、印三道工序的完美结合,才成就一幅水印画。在荣宝斋复制的众多作品中水平最高的,是被后世公认的木版水印的巅峰之作——《韩熙载夜宴图》。
Japan has two mysterious society copy, China has Rong Bao Zhai wood version of watermark. These two are all top craftsmanship for copying ancient Chinese calligraphy and painting. However, both craft is different, good at different fields. Two mysterious society copy of the calligraphy culmination, Rong Bao Zhai Ban wooden version of the watercolors can be a few really complicated copy. Rong Bao Zhai, famous at home and abroad, has so far three hundred years of history. Rong Bao Zhai Ban version of the watermark, selected in 2006 national intangible cultural heritage masterpiece. It is an outstanding representative of the traditional painting and calligraphy restoration technology and overprint technology of overprint and has many scientific and cultural values. Studied wood board watermarking technology, it is through hook, carve, India the perfect combination of the three processes, only a watermark painting success. The highest level in many works copied by Rong Baozhai is the pinnacle of later generations’ recognition of the woodblock watermark - “Han Xizai Banquet.”