结构对一部电影来说至关重要。故事情节、人物命运,矛盾冲突、画面色彩等等电影元素究竟能否最终获得观众喜爱,赢得“好”、“带劲”、“有意思”之类的赞美,和这些元素的排列组合方式——即电影的结构具有非常重要的关系。一个好的结构,会使电影锦上添花,而一个不合理的结构,则会使一部内容不错、表演也不错的电影杂乱无章,让人皱起眉来。因此,聪明的导演就不仅要在演员、道具、灯光上下功夫,而且也要在结构上花力气,使结构不仅是电影的一个完美框架,而且,通过和其它元素融合交媾,焕发出艺术魅力。中日合拍影片《敦煌》就具有这种魅力《敦煌》采用的是散文式电影结构,但细品味,方觉出正是由 The structure is crucial to a movie. Whether the story elements, the fate of the characters, the contradictions and conflicts, the color of the picture, and so on can eventually gain the audience’s love and win praise like “good”, “energetic” and “interesting”, and the permutations and combinations of these elements The structure of the movie has a very important relationship. A good structure will make the film icing on the cake, and an unreasonable structure will make a good content, performing a good movie chaotic, people frowned. Therefore, smart directors should not only work on actors, props, and lights, but also exert their efforts on the structure so that the structure is not only a perfect framework for the film, but also brings out the charm of the art through fusion with other elements. Dunhuang, a Sino-Japanese co-production film, has this charm. Dunhuang uses a prose style film structure,