论文部分内容阅读
20世纪60年代,肯·罗奇的影坛处女作出品,由此拉开了其批判现实主义的从影之路。在数十年的时间中,肯·罗奇先后执导拍摄了三十余部电影,均遵循着批判现实主义的创作道路,并成功塑造了许多缩影式的身处困境的小人物。本文将聚焦肯·罗奇的电影创作,以其著名代表作品《风吹麦浪》《石雨》《甜蜜十六岁》等为代表进行分析,从被侵犯者、被压迫者和被边缘者这三个类型对肯·罗奇影片中的人物形象进行解读。
The 20th century, 60’s, Ken Roach film debut made the product, which opened its critical realism from the shadow of the road. For decades, Ken Roach directed and filmied more than thirty films, all following the path of critical realism and succeeding in shaping many microcosm-like, small-minded people. This article will focus on Ken Roach’s film creation, with its famous representative works “wind and wheat waves”, “Shi Yu”, “sweet sixteen” as the representative to analyze, from the offenders, oppressed and marginalized this Three types of interpretation of Ken Roach’s characters in the film.