张仃的焦墨山水画,自它的起点便是生命史诗的悲壮爆发,它诞生于国家、民族和个人的命运所遭遇的绝望年代,是张仃“存在意识”的觉醒。张仃焦墨山水画的英雄主义气质以及沉淀于题材和笔墨之中的无所不在的沧桑感,其实正是一个阅尽人间的老人以一种新的语言诉说他终生不渝、愈挫愈奋的理想和追求。他的山水写生,绝非一般意义上的写实,而是他的人文精神的象征和表现。他的画笔,总是敏感地趋向那些刻下了历史年轮的旧庙古道,对那些与自然一样地老天荒的 The starting point of Zhang Jinding’s ink painting of Jiao ink is the tragic eruption of his life epic. It was born in the desperate era of the fate of the country, nation and individual, and is the awakening of Zhang Ding “Existence of Being ”. The heroic temperament of Zhang Ding’s landscape paintings and the ubiquitous sense of vicissitudes that are precipitated in the themes and in his ink are actually the ideal of a man reading the world with his new life in a new language And the pursuit. His sketching of landscapes is by no means a realistic one, but a symbol and manifestation of his humanistic spirit. His brush, always sensitive to those who engraved the history of the old temple of the ancient temples, for those who are as natural as nature