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荣斌以个人独特的视角,融合着对时代的想象,探索着诗歌和自我的命题。如《罪恶的诗歌》这首诗,充满恐怖的张力。在他看来,诗歌并不如一般人所想象的美好,“我们视为儿童的诗歌/其实罪孽深重”。诗歌写作成了一种暴露罪恶的象征,因为诗歌横行在骨头的花园,挂满毒素。可能是受现代主义的影响,或者正如他自我肯认的超现实主义的影响,依着写作的惯性,所看所想所写,皆是罪恶。写罪恶,似乎是19世纪末20世纪初西方艺术的风气,乃至稍后的T·S·艾略特。诗歌并没有给予诗人应有的慰藉,相反,诗歌附带着冲突、
With his own unique perspective, Rong Bin combines the imagination of the times and explores the proposition of poetry and self. Such as “poem of evil” this poem, full of terrifying tension. In his opinion, poetry is not as beautiful as most people think. “We regard children’s poetry as a matter of fact, sinful.” Poetic writing has become a symbol of exposing evil, because poetry runs rampant in the bones of the garden, full of toxins. It may be influenced by modernism, or just as his self-denying surrealism influences, and according to the inertia of writing, what he sees and thinks, it is all sin. Writing about sin seems to be the culmination of Western art from the late 19th and early 20th centuries, and even later, TS Eliot. Poetry does not give the poet should comfort, on the contrary, poetry is accompanied by conflict,