薄云的作品,也许就是一种不可言说的言说。在最传统与最前卫之间,他给人的第一印象是“非常中国”。 薄云的言说有自语的性质,听不听、懂不懂,对他来说并不重要,其感染力一方面来自视觉的魅力,另一方面则来自内心。综合材料表现的物态形式同他的思索融入民族特征的血液,流淌在中国的历史脉络中。 1998年1月5日,中国美术馆。中德艺术家交流展《相会在北京》,薄云有三幅作品参展,那时,它们的名字和表现形式一样有意味:《锁住历史》、《我们的老师》和《风景》,循着某种暗示与引领,我们对画中流露的无声之语隐然可感。 两个月后,1998年3月10日,薄云近作展在同一地点举办。依然是那样一个主导思想:用他的艺术语言表达自己对中国文化本质的理解,表现中国的古老传统和历史;依然是取自那些基本的生活素材……但是,这次他将所有的作品统领在一个标题下——“无题”! 无题。 为什么?没有箭头,没有方向,“无题”之后,秩序与惊异、思维与想象、意识与无意识,形式指意不明,思绪便任意地朝多种向度延伸。解读 Thin cloud works, perhaps is an unspeakable speech. Between the most traditional and most avant-garde, he gives the first impression is “very China.” Thin clouds have the nature of self-talk, do not listen, do not understand, for him is not important, its appeal from the visual charm, on the one hand from the heart. The material form of the composite material with his thoughts into the blood of ethnic characteristics, flowing in the context of history in China. January 5, 1998, China Art Museum. The exhibition of Chinese and German artists, “Meet in Beijing,” has three works by Thin Cloud. At that time, their names and forms of expression were as instructive: “Locking History,” “Our Teachers,” and “Landscapes.” Some hint and lead, we are clearly visible in the silent words of the painting. Two months later, on March 10, 1998, the recent exhibition of thin clouds was held at the same venue. It is still a dominant thought that uses his artistic language to express his own understanding of the essence of Chinese culture and to show the ancient traditions and history of China and still derive from the basic material of his life ... However, this time he will rule all his works Under one heading - “Untitled”! Untitled. Why? There is no arrow, no direction. After “Untitled”, order and amazement, thinking and imagination, consciousness and unconsciousness, the form is unknown, and thoughts are arbitrarily extended in various directions. Interpretation