近日,年度最受关注的话剧作品之一《活着》在国家大剧院首演,而一直对改编持放任态度的原作者余华也出现在剧场。“故事我非常熟悉,但舞台形式却很陌生,三个小时要想把几十年的故事表现充分,而且故事不集中,时间跨度大,的确很难。但孟京辉用了最恰当的方式,而没有用那种我们看得太多了的循规蹈矩的现实主义手法,既有文字叙述,舞台又有象征主义和表现主义。”余华说。虽然坦言打 Recently, one of the most talked-about dramas of the year, “Alive,” debuted at the National Grand Theater, while Yu Hua, the original author who always restructured and left his position, appeared in the theater. “I am very familiar with the story, but the stage is very strange style, three hours to fully demonstrate the story of decades, and the story is not concentrated, time span is indeed very difficult, but Meng Jinghui the most appropriate way, Instead of using what we see too much of the rules of the realist approach, both the text narrative, the stage has symbolism and expressionism. ”Yu Hua said. Although frankly hit