“夏蝉冬雪/不过轮回一瞥/悟道修炼/不问一生缘劫”。这是只有华语音乐才能独占的诗性,而若不是音乐人的坚持,恐怕我们也无从听起了。曾经许多歌手玩味国风古韵,却始终无法参透其中精神的深度。中国风一时变成简单的商品包装,曲意总是搁浅在断层的空白中,即便旋律优美,内涵也无以为继。不过,这几年似乎大家都不提“中国风”三字了,仿佛那是上一个时代过期的流行,是“时尚音乐人士”不再勘探的盐碱领域。 “Cicadas winter snow / but a reincarnation / enlightenment practice / do not ask lifetime bury”. This is the poetic that can only be dominated by Chinese music, and if it is not the insistence of musicians, I am afraid we can not sound like it. Once many singers play country style rhyme, but has always been unable to penetrate one of the depths of the spirit. Chinese style has suddenly become a simple commodity packaging, music always stranded in the fault of the blank, even if the melody is beautiful, the connotation has no solution. However, in recent years, it seems that everyone does not mention the words “Chinese style,” as if it was an outdated fashion in the past era. It is a salty-alkaline area where “fashion musicians” are no longer exploring.