贾平凹长篇小说《秦腔》塑造了一个迥异与传统小说的“傻子”形象。作为一个另类的观察者和故事的讲述者,“傻子”引生引导我们观看了清风街的悲欢离合,世事变化。傻子形象的出现,具有特殊的审美价值。20世纪80年代末以来,我国小说创作流派纷呈,各种人物形象纷纷出现在小说领域。引人注目的小说形象“傻子”的出现,对传统审美观念是一个不小的冲击。这些异常的人物形象是作为与一些世俗、惯性的对立面而存在的,是一种聪明的傻子。 Jia Ping - wa 's novel “Shaanxi Opera” shaped a very different image from the traditional fiction. As an alternative observer and narrator of the story, “idiot” was introduced to lead us to watch the joys and sorrows of Qingfeng Street change. The emergence of a fool image has a special aesthetic value. Since the late 1980s, the genres of Chinese novel creation have flourished, and various characters have emerged in the field of novels. The appearance of a dramatic novel “fool ” is not a small impact on the traditional aesthetic concept. These abnormal character images exist as clever fools with some secular and inertial opposites.