一景二盆三几架,是盆景艺术表现的完整形式。作为盆景艺术发祥地之中国,在唐代,因结合盛世诗坛,盆景意境的表现方式之一的题咏也随之出现。故现时也有一景二盆三几架四题咏之说,井将题咏列为盆景的品评标准之一。作为一种要求,题咏(名)似乎是少不了的,因而出现了大量以“无题”为题的题咏,算是对诗坛手法的彻底借鉴,真可谓师出有名却也实属无奈了。目前很多盆景作者,除在作品上精心制作外,为题咏而煞费苦心的确实不少。很多作品本身质量很高,然题名却实在是让人不敢恭维,犹如蛇足,有的与盆中造型风马牛不相及,真可谓“放之四海而皆准”;有的则以古诗词典硬套,实属效颦有术;还有的以地方景色冠之,全然不顾张冠李戴;更有的专以冷僻字组合,以示艺术功底的不同凡 A scene two basin three, is a complete manifestation of bonsai art form. As the birthplace of bonsai art in China, in the Tang Dynasty, due to the combination of flourishing poetry, bonsai mood expression of one of the questions also appears. Therefore, there are now two scenic spots, two scenic spots, and four scenic spots. As a requirement, there seems to be no problem in chanting (name). Therefore, a great deal of inscription titled “Untitled” emerges as a complete reference to poetic techniques. At present, many bonsai authors, in addition to carefully crafted works, do a lot of painstaking efforts for the title. Many of the works themselves are of high quality, but the title is really flattering, like a snake foot, and some irreconcilable with the style of the pots, it is indeed “universal”; while others are based on ancient poetry Dictionary hardcore, it is effective 颦 surgery; and others to the local scenery of the crown, completely irrespective of Zhang Guan Li Dai; some even in rare combination of words to show the different skills where