在文学研究经历“文化转向”的背景下,视觉文化与文学的关系问题,尤其是视觉文化语境下的文学研究问题逐渐受到学界的关注。但是这方面一个明显的不足在于,国内外的学者们惯于在宏观的概念辨析和理论探讨方面着力,却鲜有在具体的个案分析方面拿出有说服力的实例来。鉴于此,本文试图从视觉文化研究视角出发,从伍尔夫与电影、伍尔夫与绘画、伍尔夫与舞台剧三个方面,对伍尔夫本人在视觉艺术方面的美学思想及其作品的视觉艺术改编和影响方面进行个案研究尝试。 Under the background of literary research experience “cultural shift ”, the relationship between visual culture and literature, especially in literary and cultural contexts, has drawn the attention of scholars. However, a clear deficiency in this respect is that scholars both at home and abroad are accustomed to focusing on macro conceptual analysis and theoretical exploration. However, there are few instances where concrete examples of case analysis are used. In view of this, this article attempts to study Woolf’s own aesthetic ideas in visual arts and his works from three perspectives of Woolf and film, Woolf and painting, Woolf and stage play from the perspective of visual culture research The visual art adaptation and impact of case studies.