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在当下中国音乐美学的话语体系中,宋瑾所著的《音乐美学基础》占有重要的理论位置。自出版以来,这本书作为教材被广泛地应用于教学。同时,这也是一部颇具思想深度、个性鲜明的学术性著作。追溯宋瑾教授学术思想的发展轨迹可以看出,其中的一些美学观念萌发于上世纪90年代初。此著作可以看做是他在基础理论研究领域二十余年的结晶。下文将结合作者在不同时期发表的学术论文,对这本著作的几个重要理论特征进行解读,以便更好地应用于教学,并促进对一些问题的进一步思考。
In the discourse system of contemporary Chinese music aesthetics, Song Jin’s “Aesthetics of Music” holds an important theoretical position. Since its publication, the book has been widely used as a teaching material in teaching. At the same time, it is also a very thought-depth, distinctive academic works. Tracing the development track of Professor Song Jin’s academic thoughts, we can see that some of the aesthetic concepts have sprouted in the early 90s of last century. This book can be seen as his crystallization of more than twenty years in the field of basic theoretical research. In the following, we will combine several academic articles published by authors at different times to interpret several important theoretical features of this book in order to better apply it to teaching and to promote further thinking on some issues.