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三都是全国唯一的水族自治县,全国百分之五十以上的水族人居住在这里。在漫长的历史发展过程中,水族人创造了自已独特而多彩的民族文化。其中马尾绣是流传于三都地区的一种古老而独物的手工制作技艺,传统马尾绣的图案、制作方法、选材用料等,都融合了水族人独特朴素的美学观。2006年被列入首批国家级非物质文化遗产名录,并享有“刺绣中的活化石”之称的美誉。如何让这一传统技艺走上“在传承中发展,在发展中传承”的良性轨道,民间和政府都积极的探索和大胆的尝试。本文立足田野调查,以水族马尾绣为研究例证,浅析非遗背景下一些传统技艺的传承与发展。
Three are the only aquatic autonomous counties in the country, more than 50 percent of the country’s aquatic population live here. In the long history of development, aquatic people have created their own unique and colorful national culture. Among them, Mawei Embroidery is an ancient and unique hand-made technique spread in Sandu area. The traditional patterns, production methods and material selection of Mawei Embroidery are all based on the unique and simple aesthetics of Aquarians. In 2006 was included in the first national intangible cultural heritage list, and enjoy “living fossil in embroidery ” reputation. How to make this traditional skill embark on a virtuous track of “developing in inheritance, inheriting in development,” and both private and government actively explore and boldly try. Based on the field investigation, this paper takes the example of the aquatic Mawei Embroidery as an example to analyze the inheritance and development of some traditional skills under the non-heritage background.