《梅雨之夕》的作者施蛰存是我国最早的“新感觉派”代表作家。新感觉派是最早形成于20世纪20年代日本的小说流派,是西方现代派文学的一支,川端康成等日本作家主张把主观感觉融入到客观事物的描绘中,提倡从感觉出发进而创造现实。而中国新感觉派小说的创作深受日本影响,形成于20世纪30年代的上海,在思想上和艺术上均达到了较高水准,很多作品已成为我国文学史中城市文学的典范之作。本文旨在分析《梅雨之夕》展现的现代与传统间的融合。 Shi Zhecun, author of “The Rainy Day of Meiyu” is the earliest “new sensationist” representative writer in our country. Neo-sensationism is the first genre of Japanese novels formed in the 1920s. It is one of the western modernist literature. Japanese writers such as Kawabata Yasunari advocate subjective feelings into the depictions of objective things, and advocate starting from feeling and then creating reality. However, the creation of new sensory novels in China was deeply influenced by Japan. Shanghai, which was formed in the 1930s, both reached a high standard both in thought and art. Many works have become the model of urban literature in the history of Chinese literature. The purpose of this article is to analyze the fusion of modernity and tradition presented in the eve of the rainy season.