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贾樟柯作为第六代导演中的代表,一直受人们关注。贾樟柯的电影极具纪实风格的美学气息,他用摄影机捕捉着被银幕遗忘的时空,保持着对平民阶层的一贯关注,揭露出现代化进程中社会城市的异化和人的艰难存在的主题。本文正是基于此,对贾樟柯迄今为止执导的六部故事片作一番扫描,贾樟柯影片中富有想象力的影像表达,正确而现实地描绘出现代化进程中社会城市的异化和人的艰难存在的主题,再一次让我们回顾他的电影创作,初步揭示其影片特质和意义所在。
As the representative of the sixth generation of directors, Jia Zhangke has always been the subject of attention. Jia Zhangke’s film is a documentary style aesthetics, he used the camera to capture the time and space forgotten by the screen, keep the usual concern for the civilian class, exposing the modernization process of social alienation and difficult human existence theme. Based on this, this article scans the six feature films directed by Jia Zhangke to date, the imaginative image expression in Jia Zhangke’s film, and correctly and realistically depicts the theme of alienation and hardship of social cities in the process of modernization. Once again let us review his film creation, preliminary reveal the characteristics and significance of the film.