国画到了近代,受到了西画的影响,出现了一个新的支流,走上了改良的道路,也可以称之为“中西合璧”道路,其中我们最熟悉的莫过于徐悲鸿,徐被认为是中国现代美术的奠基人,并写有《中国画改良论》,坐拥美术界超然的地位。与徐悲鸿相比,林风眠同样是法国留学且归国后任职艺术高校教授,两人的前半生的经历有太多的相似,但是无常的命运让俩人后半生走出了截然不同的轨迹。徐悲鸿在抗战时期创作了《愚公移山》、《奔马》等代表作,虽然英年早逝,却一举奠定在中国美术 Chinese painting has reached the modern age and is influenced by Western painting. A new tributary has emerged and it has embarked on a path of improvement. It can also be called the “Chinese-Western combination” road, of which we are most familiar with Xu Beihong and Xu who are regarded as The founder of Chinese modern art, and wrote “the theory of Chinese painting improvement”, sitting in the detached position of the fine arts world. Compared with Xu Beihong, Lin Fengmian is also a French university professor returning to France after returning home from work. Both of them had too similar experiences in the first half of the year. However, the fate of the two men left a completely different trajectory in the second half of the year. Xu Beihong created the works of “Foolish Man and the Mountain,” “Running Horse” and other masterpieces during the Anti-Japanese War. Although his young wife died young, he laid the foundation for Chinese art