现代化大潮所淹没下的当今建筑,抛下原有的建筑姿态过分追求形式美感、异形以及弧面建筑的思潮,引领着年轻一批建筑师的新设计观,坚持少即是多的空间结构规整设计之中屡屡出现所谓的趋同现象,耳目一新的建筑设计视角让人爱不释手,却使得设计风格不分国界,批量化形式化之中缺少文化内涵,流失了应有的地域特色。Kenneth Frampton所著的《现代建筑:一部批判的历史》里提出了批判地域主义理论, Today’s buildings under the tide of modernization are torn down and the original architectural attitude is left. Excessive pursuit of the ideas of aesthetic form, alien shape, and arc-shaped architecture leads the younger design concept of a group of architects and insists on fewer or more structured spatial structures Design often appear so-called convergence phenomenon, refreshing architectural design people put it down, but makes the design style regardless of the national boundaries, the formalization of bulk lack of cultural connotations, the loss of the geographical features. Kenneth Frampton’s Modern Architecture: A Critical History presents the critical theory of regionalism,