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摄影师操纵着色彩、光线、空间以及运动来构成电影画面,使观众仿若身临其境。他或她的工具——包括光线、摄影机、胶片以及而今的数码字节——极富技术含量,因此,在电影行业所有的手艺人中,对于技术水准与艺术品位的综合能力要求最高的可能就是摄影师了。达瑞厄斯·康吉长期以来一直被认为是我们这一时代最匠心独运、推陈出新的摄影师。康吉的父亲是爱尔兰人,母亲则是法国人,他于1955年出生在德黑兰。他的父亲在那座城市拥有两家电影院。康吉4岁时,他们举家迁往巴黎。少年时的康吉是法国电影资料馆的常客。他也开始在超8毫米胶片上拍摄自己的影片。1970年代末,他在纽约大学电影学院求学3年,随后返回法国,进入电影业,给摄影师布鲁诺·努伊顿当助手,也掌镜拍摄短片和广告。
Photographers manipulate color, light, space, and movement to create a cinematic screen that immerses the audience. His or her tools, including lighting, video cameras, film, and today’s digital bytes, are highly technical, so the highest possible level of technical and artistic integrity is required of all artisans in the film industry It’s a photographer. Darius Conji has long been considered the most creative and innovative photographer in our time. Kang Ji’s father is Irish, his mother is a Frenchman, he was born in Tehran in 1955. His father owns two cinemas in that city. When she was 4, they moved their families to Paris. Konji was a teenager French Film Archive regulars. He also began filming his own film on ultra-8mm film. In the late 1970s, he studied at the New York University Film School for three years before returning to France to enter the film industry, aide to Bruno Nuyton, a photographer and filming short films and commercials.