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钢琴表演艺术对于听觉的要求很高,演奏者对作品的把握从技术到艺术最终都要体现在对音响的审美创造上,而所有的演奏内容都需要演奏者通过听觉来进行最终的整合。在钢琴教学中,教师首先要帮助学生打好音乐听觉训练的基础,要时刻注意从音响的“纵”“横”两个方面来提高听觉能力。这样,才能对各种音乐要素有机建构起来的和谐形式感进行多声听觉和有效地把握,可以肯定地对所有学习钢琴演奏的人来说,听觉是否敏感对音响的完美体现具有决定性的意义。
Piano performance art is very demanding for hearing. The performer’s mastering of works from the technique to the art must be reflected in the aesthetic creation of the sound. All the performance contents require the final integration by the performer. In piano teaching, teachers should first help students to lay the foundation for listening training of music, and pay attention to improving auditory ability from two aspects of “vertical” and “horizontal” of audio. In this way, it is possible to conduct multi-sounding and effective grasp of the harmoniously structured sense of organically constructing various musical elements, and it is certain that hearing sensitivity is of decisive significance to the performer of audio for all those who study piano.