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其实只要看看这些题目就知道他要表达些什么了,《正午的喀什》、《日出天山外》、《凝固火焰》、《音乐履历》、《夏台之恋》、《大坂》、《顶峰》……张承志真是一个绘画天才,他用一行行简单而又再熟悉不过的方块字就画出了那么多画家绝对画不出来的新疆。他骑着他精神的黑骏马从内蒙的草原驰骋而来,跨过他生命的黄土高原,执著、真诚而又从容地驰进了新疆的血液并轻而易举地深入了它的骨髓。
In fact, just look at these topics to know what he wants to express, “Midday noon Kashgar,” “outside the sunrise Tien Shan,” “Solidifying Flames,” “Music Curriculum Vitae,” “Love of Summer Taiwan,” “Osaka, Peak ”... ... Zhang Chengzhi is really a genius of painting, he used a line of simple but familiar words to draw so many artists absolutely can not draw Xinjiang. He rode his spirit of black horse galloping from the grasslands in Inner Mongolia, across his life of the Loess Plateau, dedicated, sincerely and calmly into the blood of Xinjiang and easily penetrated its marrow.