对于这种大规模艺术生产模式本身,我持中立态度。从某种意义上来说,它是中国艺术家对中国具体的,或者说特殊条件的一种比较聪明的利用。中国是一个巨大的劳动力市场,因为劳动力便宜,所以整个艺术加工产业比较发达,而且这些加工厂家基本上什么困难都能克服,艺术家只要提出想法,它基本都能帮你实施,这或许跟中国整个劳动生产标准不够严格有 For this large-scale art production model itself, I am neutral. In a sense, it is a clever use by Chinese artists of China’s specific or special conditions. China is a huge labor market, because the labor force is cheap, so the whole art processing industry is more developed, and these processing companies are basically able to overcome any difficulties. As long as the artist puts forward his ideas, it can basically help you to implement it, perhaps with the whole of China Labor standards are not strict enough