《刺客聂隐娘》和《英雄》两部影片都是讲述一个有关刺杀的故事,但在共同事件的讲述背后,呈现的却是不同的哲理性内容、演绎方式和导演风格。本文对这两部影片进行细致的比较性分析:一、刺杀:事件的共同征用和不同演绎;二、孤独:内在自我角色的错位与英雄本身的悲剧性宿命;三、悲剧性超越:道家的自我超脱和儒家的舍身超越,希望能从多角度来理解这两部影片中所包含的不同深刻内涵。 Both The Assassin Nie Yin Niang and Heroes are about an assassination story, but behind the common story, they present different philosophical contents, ways of deduction and directors’ style. This article carries on the detailed comparative analysis to these two films: First, the assassination: the common acquisition and the different deduction of events; Second, the loneliness: the dislocation of the inner self and the tragic fate of the hero itself; Third, the transcendence of tragedy: Self-esteem and Confucian morality beyond, I hope from a multi-angle to understand the two films contained in the different profound connotation.