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无论是游日期间的购物消费还是对抗日影视作品的观赏,都可称为消费日本现象。消费日本是别现代时期中国消费文化的奇葩,它是现代、前现代、后现代相互交集纠葛的产物。消费日本现象中的英雄消费实际上是观众对自己的消费,反映出现代英雄脱魅后借助后现代艺术手法对于前现代神武英雄的复魅。这种复魅所带来的英雄盛筵只能制造既非现代、又非前现代、也非后现代的欢乐神话。不断复制的欢乐神话是对英雄和崇高的解构。而别现代主义的使命却是要在英雄空间的解构中超越别现代英雄和英雄空间,创造后现代之后的英雄和英雄空间。
Whether it is shopping during the tour day or anti-Japanese film and television viewing, can be called consumer Japanese phenomenon. Consumption Japan is a wonderful flower of Chinese consumer culture in the modern era. It is a product of the intersection of modernity, pre-modernity and post-modernity. The consumption of heroes in the phenomenon of consumption in Japan is actually the consumer’s consumption of the audience, reflecting the reinstatement of the hero of the pre-modern era with the help of post-modern art by the modern heroes. The heroic feast brought about by this re-enchantment can only create a myth that is neither modern nor pre-modern nor post-modern. Constantly copied myths of happiness are the heroic and sublime deconstruction. However, the mission of modernism is to go beyond the space of modern heroes and heroes in the deconstruction of heroic space to create heroic and heroic space after the post-modern era.