走进“青铜与水粉的对话——法国艺术家乔治·让克洛与皮埃尔·斯吉拉联展”的展厅,面对摆放在地面上的雕塑人像和张挂在墙壁上的水粉静物作品,我有一种仿佛置身墓地的感觉,因为所有这些展品都流溢散发着一种“无形”但却强烈的气息——宁静。这是一种近乎死寂的宁静之气,它是如此浓烈以致令人感到窒息。然而,这气息并未使我转身逃避,恰恰相反,它就像一个磁场将我牢牢地吸引,并将我带入沉思之境,带入作品所表达的关于生命与死亡的深深的思考之中。 作为当代艺术家,让克洛和斯吉拉的作品主题都是关于生死的,这类主题的选择在西方当代艺术史上即使不是绝无仅有的——贾科梅蒂和培根 Walk into the exhibition “Bronze and Gouache Dialogue - French artist Georges Jaco and Pierre Szilar” exhibition, facing the portrait of the sculpture on the ground and hanging on the wall of glitter still life works, I had a feeling of being in a cemetery, because all of these exhibits were exuded an “invisible” but intense breath - quiet. This is a near-silent serenity that is so intense as to suffocating. However, this breath did not make me turn around to escape. On the contrary, it is like a magnetic field that holds me firmly and takes me into contemplation into the deep thinking of life and death expressed in the work Among them. As a contemporary artist, the themes of both Clo and Szilar’s work are about life and death. The choice of such topics is not uncommon even in the history of contemporary Western art - Giacometti and Bacon