知识分子形象,是鲁迅小说一个独特的形象系列。而这种独特性,始终表现在他笔下的同类们对思想观念、道德规范和伦理教条等种种传统“法则”的抉择和取舍。完全可以说,对于“传统”的不同态度,构成了《呐喊》《彷惶》两集中知识分子形象的基本类别。这里有沉溺于传统,进而顽固地维护传统的知识分子,我们看到了从“新党”一直骂到祥林嫂的鲁四,高喊“移风”却为一个女乞丐欲火难忍的四铭先生;有已被传统蛀蚀灵魂、麻醉 The intellectual image is a unique series of images of Lu Xun’s novels. This uniqueness has always been reflected in the similar choices and choices made by his colleagues in the various traditional “laws” such as ideology, moral norms and ethical dogma. It is fair to say that the different attitudes toward “tradition” constitute the basic category of the two concentrated intellectual images of “shout” and “panic”. There are intellectuals who indulge in tradition and stubbornly defend the tradition. We have seen that Mr. Si-ming, who has been scolded by Mrs. Xianglinsao from “New Party,” shouted “Move Wind,” was unbearable to a beggar There have been traditional decay souls, narcotic