“绘事后素”作为一个儒家礼教命题一直颇受重视,清代以前对于它的解释也是多从此角度解说,而忽略了它本身是一个绘画命题。近代对于“绘事后素”的解读中,对于孔子时期的“绘事”也没有清楚的论证,本义从文献角度证明“绘事”实则是指有礼教功能的绘画形式。 As a Confucian propitiation, Confucianists have always paid much attention to the proposition of Confucianists’ ritual and ethics. The explanation of it before the Qing dynasty is also more than that from the perspective of painting, while ignoring the fact that it is itself a painting proposition. In modern times, there is no clear proof of “painted things ” in Confucian period in the interpretation of “painting ”, the original meaning from the perspective of literature proves “painting things ” actually refers to the form of painting with the function of ritual education.