由于奏鸣曲《悲怆》属于贝多芬创作前期的作品,因此在创作的风格上带有其显著的前期创作的特征。在这一创作时期,贝多芬对于古典主义奏鸣曲的代表作曲家海顿以及莫扎特的创作风格的吸收较为明显,并结合了自己对于人生的思考和感悟,在其《悲怆》中表现出了非常鲜明的革命英雄主义色彩。 As the sonata “Sadao” belonged to the works of Beethoven’s early works, his style of creation was characterized by its significant pre-creation. During this period of creation, Beethoven’s absorption of the writing styles of the representative composers Haydn and Mozart, who are the classic sonatas of the classic, combined with his own thinking and understanding of life, showed a very distinct Revolutionary heroism.